COORDINATES

SUPERNATURAL S5

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Fireworks

Episode: Dark Side Of The Moon
Text: My own
Made: June '10

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Derelict

Episode: The End
Text: Dean in 'The End'
Made: October '09

ThoughtsThis piece is a simple character study for Dean's future self. I simply tried to recreate the symbolism of the show itself here. Future!Dean is cold, dark and broken and his state of mind is symbolised in the wreck of his once beloved Impala. Everything around Dean is derelict, and it's reflected in him. So, in the forefront we have the destroyed Impala in front of the destroyed world and Dean emerging from it, a violent and dark man. I chose black and white for this to emphasise the bleakness of the scenario and only kept some red at the sides as a contrast.

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Back To You

Episode: The End
Text: Michelle Branch
Made: October '09

ThoughtsThis wallpaper served as a base for my Salt'n Burn layout for October 2009. It is a companion piece to 'Separate Ways', as it depicts the moment where Sam and Dean reunite after their separation in 'Good God, Y'all. So, it has warm colours, where the other wallpaper has cool colour tones, and Sam and Dean hold eye contact, while they avoid each others eyes in the second piece.

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Separate Ways

Episode: Good God, Y'all
Text: Journey
Made: September '09

Award!

ThoughtsThis is a pretty straightforward wallpaper for the endscene of the episode, where the brothers decide that they should go separate ways, for Sam to deal with his addiction and Dean to be able to focus on the job instead of Sam. It's the first time in the show that the brothers separate in peace and mutual agreement, both are sorrowful, but convinced that it is for the best and gives them the time they need to deal with everything that went down between them in S4.

At the center of the wallpaper there are two lonely roads, running into different directions, symbolising the diverging paths Sam and Dean have chosen. In their conversation they are barely able to look each other in the eye, so they are half facing each other in my piece, but their eyes are downcast. At the top Sam gently touches the Impala, saying goodbye and at the bottom I chose the moment Sam turns away to leave Dean at the picnic table. I chose a green/blue colour scheme, green symbolising the hope that they will be reunited and the colder blue emphasising the distance between them.